故事分成三個章節(jiē )：主要的(de )(🔼)章節(🃏)由高達親自飾演(🕰)導演(yǎn )，正要趕(🎗)乘(chéng )飛機，在24小時內把一部電影的菲(🌫)林交給監製(zhì )；(🌗)同(tóng )時一隊(duì )二人流行電子(zǐ )音(yīn )(👑)樂組合，不斷排練歌曲(💆)，最(🔲)後在路上表演(🐖)；(🕌)另一(yī )邊廂(🎫)，愚(🗑)笨的大肥(féi )佬(😻)捲入一宗事件，被神(shén )秘女(🔊)人密(mì )切監視，最後更被(bèi )拘(📯)捕。三(sān )段故事(🔢)看似(💱)毫無(🌑)關連，實際是(shì )高達以(yǐ )電影來討論(🙌)電影(yǐng )製作(zuò )和藝術(🙀)創作的重要(yào )。片名看似帶(dài )有弦外(wài )之(zhī )音(🕙)，就像(xiàng )高達(dá )暗示(shì )(🤳)，假如(🕐)監(🐀)製或(huò )(🚴)其他人(rén )(⚾)要干(gàn )(🌮)擾導演的藝術(shù )創作(💔)，就索(🍑)性(xìng )我行我素，忠(zhōng )於自己的道路好了。這(zhè )大概亦(💅)示範了高達如(💯)何純熟地運用(🎥)電影媒體來做評論。　　A film in three chapters: Godard plays the director in the main chapter, rushing to catch a plane to pass the negatives to his producer within 24 hours; an electronic duo keeps rehearsing for their roadshow; a clumsy fat man gets involved in an incident, and is arrested after being watched by a mysterious woman. Seemingly unrelated events, Godard is discussing the importance of film producer and artistic creativity. Godard is making the statement that if a producer or anyone interferes with creativity, it is better for the artist to go one's own way. A showpiece of how Godard uses the film media as his critical essay.